The MINIAK is a powerful performance and production synthesizer. The MINIAK empowers creative musicians with phrase and step sequencing, a built-in drum machine rhythm sequencer, an arpeggiator, a 40-band vocoder, stereo effects, and a virtual analog synth engine developed in partnership with the world-class Alesis synth team. While the compact, portable synth shines on stage, the MINIAK is also at home in the production studio delivering 24-bit audio resolution. The MINIAK puts up to eight multi-timbral voices at your fingertips, each with three oscillators. You can create interesting and unique sounds and take advantage of the more-than-600 preset sounds and store up to 1,000 programs in the MINIAK. The synth also has two multi-mode filters, three envelope generators, two LFOs, stereo effects, and a 40-band vocoder. On top of all of this sound-melding power, the MINIAK has a comprehensive sequencer with step and dynamic real time phrase sequencing, a drum machine rhythm sequencer, and an arpeggiator to aid in creating the landscapes and textures you're after. Rounding out this complete instrument are high-resolution, 24-bit balanced 1/4 inch inputs and outputs. The MINIAK has a 37-key semi-weighted keyboard with velocity sensitivity for all-in-one performance. It can also be used as a sound source for MPCs, computer software, and keyboards via MIDI. UNDER THE HOOD A MINIAK program is a sound built from the MINIAK's internal oscillators, filters, and envelope generators. The MINIAK's more than 600 preset programs span the range of classic analog synthesis sounds. If you've heard it before, you will probably find it in the MINIAK's presets. In a synth, oscillators generate raw sound. Their output is fed into the filters, whose output is fed into the amplifiers. As the signal moves along that path, you can manipulate the mix at several points and apply modulations, envelopes, and effects to create a custom palette of sounds. SOUND GENERATION The oscillators can produce different waveform types and shapes to create various harmonic structures, which our ears perceive as different timbres. Here are some of the waveforms you can create with the MINIAK's oscillators: Sine Smooth, pure sound Triangle Fuller than a sine wave Sawtooth Harsh sonic character Pulse Harmonically rich, ranging from full-sounding square wave to a sharp impulse wave The MINIAK's oscillators can produce continuously variable waveforms, so it can can hit any point between these examples. You can connect external audio sources other synthesizers, mixers, guitars, and more using the 1/4 inch inputs. The jacks accept either balanced or unbalanced cables. You can mix in the external audio sources with the MINIAK's oscillators. The resulting combination is then sent through the MINIAK's filters and effects. A special group of programs including vocoder programs exists just for use with the external inputs. The outputs of the oscillators, the noise generator, the ring modulator, and the external inputs are fed into a virtual mixing board called the pre-filter mix. From here, the signal hits the filters. For each source, you can specify its level and its balance: how much is sent to Filter 1 and how much is sent to Filter 2. FILTERING The oscillators produce very raw sounds. To shape and fine-tune the sound, filters give you tools for dampening certain harmonics and boosting others. Filters alter the frequency content of the signal and can have a drastic effect on the sound. Each of the MINIAK's voices contains two filters, and each filter can be one of the following different types, each with its own character and sonic flavor. They are: Bypass, Low Pass: ob 2-pole, tb 3-pole, mg 4-pole, rp 4-pole, jp 4-pole, al 8-pole; Band Pass: ob 2-pole, al 6-pole, octave dual, band limit; High Pass: ob 2-pole, op 4-pole; three Vocal Formants, four Comb Filters, Phase Warp, Frequency, Resonance, Key Tracking, Envelope Amount, Offset, and Absolute. After filtering, the signal is fed to the post-filter mix. For each filter output, as well as a pre-filter signal of your choice, you can specify a level and a pan. OUTPUT PROCESSING In the output stage, the MINIAK allows you to apply a drive effect and add some compression, distortion, or other amplification effects. The MINIAK allows you to set up twelve modulation routes. Each of these is a virtual connection between some physical or internally generated source and some program parameter. Basically, a mod route tells the synth to automatically grab a knob and tweak it while a note is playing. Although there are quite a few sources that you can use for your mods, the most common ones involve the LFOs and the envelopes. LFOs LFO stands for low-frequency oscillator. LFOs are not designed to produce sound, but instead to tweak a program parameter according to a looping pattern. For example, if you are looking to add vibrato, you need the pitch to continuously waver up and down. Each of the MINIAK's voices contains two LFOs, each of which offers rate, depth, shape, and tempo sync. The MINIAK's LFO can sync to the internal clock or any external source via MIDI. ENVELOPES If you hit a note on a piano, you hear a burst of sound energy as the hammer strikes the string, followed by lower level of loudness as you hold down the note and let the string ring out, which fades quickly as soon as you release the note and the damper is applied. Synthesizers model this behavior using ADSR Envelopes. ADSR stands for Attack, Decay, Sustain, and Release, and represents the different stages that the sound goes through over the life of the note. The MINIAK also has an envelope that is specifically designed for loudness, called the Amp Envelope. Envelopes are useful in all sorts of mod routes, which is why you can hook up any of the MINIAK's envelopes to any modulatable program parameter. Each of the MINIAK's voices contains three envelopes: Amp Envelope, Filter Envelope, and Pitch/Modulation Envelope. SEQUENCING The MINIAK has extensive sequencing and arpeggiation performance capabilities. Arpeggios and sequences both respond to a key-press by playing a series of notes over a programmed rhythmic pattern. An arpeggio loops over whatever notes you are holding down on the keyboard. If you hold down a chord, the MINIAK will generate a melody by playing each note of your chord individually. A sequence has a melody line built in so you can hold down a single key and the MINIAK will play back that melody relative to that key. Pressing another key will transpose the sequence. The MINIAK has MPC-style step sequencing and recorder-style dynamic real time phrase sequencing. There's also a drum machine/rhythm sequencer for the built-in drum sounds. EFFECTS The MINIAK has a full complement of stereo effects including Chorus, Feedback, Theta Flanger (Phaser + Flanger), Thru Zero Flanger, Super Phaser, Notch Frequency, String Phaser, 40-Band Vocoder, Analysis Gain, Sibilance Boost, Band Shift, Synthesis Input, Analysis Signal In, Analysis Mix, six types of Delay, and three types of Reverbs. With the extensive sound generating and manipulating power of the MINIAK, the sounds you dream up are as easy to create as twisting a few knobs. And creating complete soundscapes with the sequencer and arpeggiator couldn't be easier. Step up to the only synth with the Akai Professional name… the MINIAK.

• Eight voices, each with three oscillators
• Up to eight multi-timbral parts with stereo effects and 40-band vocoder
• Two multi-mode filters, three envelope generators, two LFOs, sample and hold, tracking generator
• Dynamic real-time and step sequencers, arpeggiator, and drum machine/rhythm sequencer
• Stereo bus effects including reverbs and delays
• 24-bit 1/4" balanced stereo analog outputs and inputs
• 37-key synth-action keyboard with velocity sensitivity
• More than 600 preset sounds
• Sound banks: bass, lead, pad, string, brass, keys, comp, drum, SFX Includes
• MINIAK synthesizer keyboard
• VPM1 gooseneck microphone
• Power supply
• Quick start guide Synthesis: Virtual analog (subtractive), noise generator, FM Polyphony: Up to 8 voices Timbrality: Up to 8 parts Oscillators: 3 per voice with continuously variable waveshapes, sync, linear and exponential FM, Ring Mod, routable modulation matrix per voice Filters: 2 multi-mode resonating filters per voice with 16 filter types Modulation: 2 LFOs with multiple wave shapes, sample and hold, tracking generator, freely routable modulation matrix per voice Effects: 4 drive effects, 1 per part; master effects Sequencing: Step sequencer, arpeggiator, drum machine/rhythm sequencer, and phrase Program memory: Up to 1,000 Programs and multi-timbral Multis Velocity sensitive: Yes Keyboard: 37-key, semi-weighted External control: MIDI in/out/thru Inputs: 2 balanced 1/4" TRS, mic Outputs: 2 balanced 1/4" TRS, 1/4" TRS headphone Controls: Pitch wheel, two assignable Q-Link modulation wheels, X, Y, and Z parameter knobs, pattern play, phrase arpeggiator, latch arpeggiator, keyboard octave, tap tempo, program controls, data push-knob, config, store, master volume Pedal Inputs: Assignable expression pedal, sustain pedal Weight: 12.0 lbs Dimensions: 22.8" x 10.8" x 3.34" (L x W x H) Think Akai, and synths are probably the last thing that comes to mind. However, the MiniAK isn't Akai's first foray into synthesis by any means. In 1984, Akai released its AX range of analogue synths (AX80, AX73, AX60 and later the VX range) and although these synths came at a particularly tricky time for analogue synthesis with the advent of digital technology (and rule of the Yamaha DX7 in particular), they were nonetheless very capable. So it's good to know that Akai does have a solid synthesizer heritage at its foundation, as well as their thorough knowledge of sampling. Akai became part of the Numark group in 2004, alongside Numark and Alesis, so combining expertise from across these companies. The MiniAK is clearly a product of the partnership with the Alesis team as it is in fact a re-branded and improved Alesis Micron.
• AKAI PROFESSIONAL ANNOUNCES MINIAK SYNTHESIZER
• AKAI PRO MPD18 BRINGS MPC PAD CONTROL TO ANY SETUP
• AKAI PRO FURTHER EXPANDS MPK LINE WITH 88-KEY MODEL

Price:£379.00 Special Price:£229.00

Price:£599.00

The BOSS BR-800 Digital Multi Track Recorder is a battery-powered studio to go. The sleek new design of the BOSS BR-800 is made possible by touch-sensor switches and SD-card recording media. Up to four tracks can be recorded simultaneously with eight tracks of simultaneous playback, plus an additional stereo track dedicated to the built-in rhythm generator. Whether you’re creating intricate, multi-layered songs or point-and-capture field recordings, the BR-800 makes the recording process fast and easy. The EZ Recording mode interactively guides you through the recording process. The convenient RETRY function, recues the BR800 automatically to fix mistakes, and SONG SKETCH recording allows instant, one-touch capture. There’s also a built-in stereo condenser microphone plus a DR-880-quality rhythm generator for adding drum and percussion tracks to your songs. Enhance your recordings with the powerful BOSS effects onboard the BR-800. Many of the effects are derived from BOSS’s flagship processors, including vocal effects from the VE-20, COSM guitar/bass effects from the GT-10 series, and modelled acoustic-guitar body effects from the AP-1 preamp, which imparts pro-quality mic'd-up sound and rich body tone to line-recorded acoustic guitar. You can power the BR-800 from the included AC adaptor, or, for ultimate mobility, it can be powered from six AA batteries. Record anywhere! The BR-800’s USB compatibility enables a variety of functionality with computers. Connected to a PC, the BR-800 will function as an USB audio interface for recordings that utilize the internal effects. The BR-800 can also function as a control surface for DAW software.

Price:£349.00

Building on the incredibly popular sE1, the sE1a retains the same capsule but combines this with all new, super-quiet electronics, all housed in a superbly restyled chassis. This end-fire small diaphragm condenser microphone really is astonishing value for money. Great for drums, pianos, and acoustic stringed instruments the sE1a is a must have for any size studio.

Price:£109.00

The Gemini II dual valve microphone is sE Electronics ultimate design. A no holds barred piece of microphone history. The dual valve design means pure valve warmth from the 12AX7 input valve coupled with a 12AU7 valve on the output stage in place of the traditional transformer. The result is an incredibly large detailed and intimate sound reminiscent of the classic valve microphones from decades ago, but with all of the top end you’d normally associate with the best solid state mics on the market.

Price:£1,199.00

The Z5600 won many awards in the professional audio press worldwide, and has won thousands of fans with its ultra clean and detailed valve sound, nine polar patterns and great performance enhancing looks. The Z5600A is the brand new updated model, now used in many of the world's top professional studios. It is an incredibly versatile mic and also one of the best vocal mics available. With 9 graded steps between three main capsule patterns, omni, cardioid and figure of eight the Z5600A finds uses in ahuge number of applications, from micing a live drum kit, to overhead on a choir. Above all this excellent mic has won its praise on delivering a superb vocal recording, with natural warmth and incredible detail. The Z5600a comes in a wooden presentation case, cradled in a full aluminium flight case with a large shock mount and a power supply with pattern switching and cables. Visit Manufacturer Page

Price:£619.00

The sE Electronics sE 4400a is the latest in a lineage of microphones started 6 years ago with the sE 2200a. Based on the same capsule tuning, but with a dual capsule to give multi polar pattern function, this mic is a true all-rounder. The sE4400a has 4 polar patterns: Cardioid, Hypercardioid, Figure of 8 and Omni. The 4400 A has 2 bass cuts at 60Hz and 120Hz; 2 pads at 10 and 20dB. The chassis is small (very small), but still manages to house a twin diaphragm 1 inch capsule and all the top grade electronics and switches. This flat, round edged chassis design allow the mic to be used flat onto a drumhead or guitar cab, or pushed through into the skin of a kick drum. It is also perfect for sung vocals and voice over work, because although it’s the smallest microphone of it’s type, it still ‘looks’ big when used full face on. It is extremely thin at less than 3/4 inch and fits neatly in the palm of your hand. The sE4400a has a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting. Finally, the capsule has been specially tuned after almost 2 years of pre-market tests with professional studios and broadcasters, to really be something that very few mics can; the true all-rounder. Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines. The sE Electronics 4400a comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. The multi pattern sE4400a also comes with a full, steel re-enforced, black aluminium, signature sE flight case.

Price:£299.00

The Reflexion Filter is basically a portable device for recording live sound sources with reduced room ambience. It is an advanced composite wall which is positioned behind any microphone by means of a variable position stand clamp assembly which ships with the product. The main function is to help obtain a dry vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recording device, or in rehearsal studios to reduce ambient noise. The Technical Bit: The Reflexion Filter has 6 main layers. Firstly, a strong layer of punched Aluminium which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The sound waves then hit a layer of Aluminium foil which helps dissipate energy and break up the lower frequency wave-forms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, Aluminium wall which further serve to absorb then diffuse the remaining acoustic energy. The main absorber has 4 formed pieces of state-of-the-art specialist acoustic absorptive material attached to its face via the extended separation rods, which further serve to absorb and then diffuse the sound waves as they pass to the main filter. The stand assembly comprises a mic stand clamp fitting, which attaches by means of a vertical joint to the horizontal bar assembly onto which both the Reflexion Filter, and any standard fitting shock mount can be fixed. The microphone (in its shock mount) can then be moved both vertically and horizontally along the bar, and the Reflexion Filter itself can be moved vertically to obtain the optimum working position. How does it work? The various layers both absorb and diffuse the sound waves hitting them, so progressively less of the original source acoustic energy passes through each layer. This reduces the amount of energy hitting un-treated walls and other surfaces so there is less of the original source reflected back as unwanted room ambience to the mic. The Reflexion Filter also helps prevent any reflected sound reaching the back and sides of the mic. Its shape and size have been carefully tested to maximize absorption while keeping coloration down to only around 1dB, and leaving the microphones polar pattern unaffected. In Summary: All in all, its a very clever and desirable piece of kit. It allows you to record vocals, guitars etc with a drier sound without having to have an acoustically treated room. Its portable. It uses state of the art materials. It works and its a fraction of the price of acoustically treating your studio environment!

Price:£215.00

These mics have previously been used for professional demonstration purposes. However, they are in A1 condition and come complete with a full  warranty and all accessories!

The sE2200A studio condenser mic draws on and improves the incredible specifications that won the original sE2200 so many awards around the world. Utilising the much acclaimed sE 1\" gold vacuum plated diaphragm, the electronics are all new and much improved offering low self generating noise and therefore a better signal to noise ratio. The sE2200a has a low cut filter, 10dB pad and also comes complete with a very rugged aluminium shock mount and flight case. With improved chassis design and cosmetics, you can now have all the versatility of the original sE2200 with improved performance for the same incredible price.

Price:£129.00

The Z3300A is our most versatile FET microphone and utilises a large 1.07 twin diaphragm, which gives the engineer a choice of three polar patterns, omni, cardioid and figure of eight. Couple this with a 100Hz low cut filter and new ultra clean, ultra quiet Z range electronics and the Z3300A is the ultimate solid state microphone for almost all recording applications, from vocals, to pianos and acoustic instruments. Complete with shockmount and flightcase.

Price:£319.00

The SE Electronics SE1000A Studio Microphone. Exceptional vocal and instrument microphone, at a great price. The SE Electronics SE1000A is sE’s entry level condenser mic for studio vocals and instrument recording. It has a 1/2 inch capsule tuned to accept low frequencies just like a larger diaphragm mic. Sister product (analogue only) to the USB1000a, the sE1000a performs well above its price point and looks the business! Flight case is not included, but can be bought separately. The mic ships with a built on shock cradle.

Price:£141.00 Special Price:£90.00

With a half inch capsule, this USB only mic offers unprecedented recording quality in its price range due to the proprietary chip and software set, developed by sE, which deals with both noise and software drivers. Like the professional standard USB2200a, the chip set helps with transforming the 5v power supplied via the USB cable to power the capsule, by first removing ‘noise’ and undesirable spikes from the current. This ‘noise’ would normally be amplified, which is why USB mics have, until now, been largely too noisy to use in a professional environment. This mic is also truly plug-in-and play.

Price:£109.00

The SE Electronics GM10 is an acoustic microphone that clamps to the body of the guitar to assure it’s always in the same position. The mic preamp is separated from the capsule so that you can position the capsule wherever you want, and the shock mount eliminates any mechanical sound produced by the guitar. The mic features a small gold sputtered mylar type capsule that produces a large diaphragm condenser mic sound but is small enough to remain unobtrusive while playing. The GM10 not only allows the user to perform freely while getting perfect takes, it also saves huge amounts of time in setting up takes, as the mic is permanently set in the correct position, so the user does not have to spend minutes before each take getting the ‘right sound’ again. The mic and assembly ship together in a Black Aluminium flight case.

Price:£326.55 Special Price:£249.00

The sE Electronics SE-2200T LE Version Large Diaphragm Cardioid Tube Condenser Microphone is the long awaited tube version of the highly acclaimed and multiple award-winning sE2200a.

The sE Electronics SE-2200T features a 1” gold vacuum plated diaphragm and a custom power supply. Please note that this Limited Edition Version  does not have a low cut filter or 10dB pad.  The sE 2200T comes complete with a very rugged aluminium shock mount and flight case.

Price:£362.25 Special Price:£199.00

Price:£99.00

Price:£549.00

Price:£50.00

The concept of the KAOSS Pad is brilliantly simple - as you move your finger around the pad you are controlling many sophisticated aspects of a powerful effects processor. Move your finger left to right and you control certain aspects of the sound. Move it up and down and you control other parameters. Make an arc and you bring in even more changes. All you need to do is glide across or tap on the pad to make evocative changes to your mix, producing a level of complexity that would be impossible to achieve with any other system or controller. The KP3 comes equipped with 128 great-sounding effect programs Sure, the traditional essential effects are there - delays, flangers, etc., and they sound amazing. But using newly developed algorithms, the KP3 also provides fresh, exciting effects such as a grain shifter, decimator, a vintage analog style filter with a tone-bending drive circuit, and expanded EQs that are controlled directly from the pad. And moving beyond effects, there are also drum grooves and even RADIAS-inspired vocoder and synthesizer sounds that can be played free-form on the X/Y pad.

Price:£299.00

The all-new PadKontrol joins Korg's expanding line-up of MIDI studio controllers. Adding another dimension beyond traditional keyboard control, the PadKontrol is the most expressive and versatile pad controller ever! In addition to accessing drum sounds and samples, the PadKontrol can also control soft synths and effects, trigger loops and video clips, and even act as transport controls for DAW software programs. Combining an assignable X-Y touchpad that also provides for natural-sounding flams and rolls, sixteen great-feeling illuminated trigger pads, assignable knobs and a footpedal input, the PadKontrol provides unsurpassed evocative control.

Price:£129.00

The Korg Mini-KP is the newest and smallest member of the KAOSS PAD series. It offers the same interface and realtime fingertip effects as other KAOSS models, plus many features taken from the new KP3, along with a compact body and battery operation for shirt-pocket portability. The Mini-KP lets you control the effects entirely from the touch-pad in real time. Different effect parameters can be controlled simultaneously, and complex effect operations can now be performed easily and intuitively with one hand on the Mini-KP control surfaces.

Price:£119.00

Price:£1,699.00

The M3 heralds the third generation of Korg Workstations. The M1 started it all, first appearing in 1988 to bring the world a new concept called the \"music workstation.\" It went on to become the best selling workstation in history, and was further expanded and enhanced through the T and O1/W series. Trinity defined a new level of innovations including touch screen technology, and was the forbearer of the successful TRITON range of products. Now Korg is poised to refine the workstation category once again. With a number of innovations distilled from the flagship OASYS including the new EDS (Enhanced Definition Synthesis) sound generator derived from the HD-1 engine design, the advanced second-generation KARMA functionality, and the multi-purpose control surface, the M3 has learned a lot from its upper-end sibling. Adding innovations such as the new concept of \"virtualized hardware\" that allows an even closer integration with DAW systems, and the new \"Korg Komponent System\" concept that facilitates more flexible system construction, the M3 music workstation/sampler opens a new and exciting page in music making, and is the workstation that rightfully deserves to wear the \"M\" that started it all.

Price:£2,049.00

The Korg KAOSSILATOR Dynamic Phrase Synthesizer. A portable synthesizer delivering maximum flexibility in an ultra-compact body, with battery operation that allows you to jam anywhere. The Korg KAOSSILATOR is a new instrument that liberates synthesizer sounds from the keyboard. It gives keyboardists, guitarists, and DJs a convenient way to add fresh new elements to a band performance or to a DJ set, while allowing untrained musical enthusiasts to enjoy an entirely new level of musical involvement and expression. Thanks to its ultra-compact size, battery operation and hooks for attaching a strap, the KAOSSILATOR makes it easy for you to start creating music whenever and wherever inspiration strikes you. KAOSSILATOR comes packed with one hundred powerful sound programs that combine Korg's legendary modeling synthesizer engine with the effects from the KAOSS PAD series, perfect for any musical genre. The horizontal axis is assigned to note/pitch, while the vertical axis is assigned to parameters such as: cutoff, feedback, or modulation depth, giving you a wide range of performance possibilities. In addition to classic synthesizer sounds like leads, basses and sound effects, there are sounds that faithfully simulate piano, guitar, and trumpet as well as looped and one-shot drum sounds, making the KAOSSILATOR a never-ending source of inspiration to stimulate your creativity. The KAOSSILATOR has a scale function that makes it simple to produce accurate pitches that match any musical context. You can choose from 31 different scales, including chromatic, diminished, as well as major and minor blues and pentatonic scales. The scale function can be used in conjunction with the key setting function, allowing you to perform in any key. Unusual scales such as Spanish, Ryukyu, and Raga are also provided, letting you create distinctive phrases with an exotic flavor. The Gate Arpeggiator feature lets you produce specific patterns of notes in sync with the user specified tempo, greatly expanding your performance options. Simply choose one of the fifty patterns to specify the timing of the notes, and you'll be creating phrases that you've never dreamed of in a flash. Finally, the Loop Recording section allows you to record a phrase with a specified number of beats (maximum 8 beats = 2 measures), and play it back endlessly. For example you can record a phrase using a synth-lead sound, and then layer (overdub) bass or drum sounds onto it. You can build up layers of cool phrases by simply repeating this cycle of selecting, playing, and recording sounds. Building a groove was never so easy!

Price:£129.00

The Korg nanoKEY is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software. Despite its small size, the Korg nanoKEY goes HUGE when it comes to functionality, yet its intuitive layout provides extremely easy operation for any user. The Korg Nano key features a great-feeling 25-key velocity-sensitive keyboard that’s ideal for song production. The keys can also be set to send MIDI control data, further expanding its power. When Korg set out to build a slim-line MIDI controller keyboard, they utilized their years of experience in manufacturing innovative MIDI keyboards to create a great-feeling, velocity sensitive keyboard based off a laptop keyboard. The resulting 25-note keyboard on the nanoKEY will transmit your playing dynamics to your software accurately and expressively. In CC (Control Change) MODE, the keys become MIDI controllers, allowing you to control any MIDI assignable parameters within your software. The Octave Shift function offers immediate access to the entire MIDI note range. Pitch and modulation buttons are also provided, giving your performances the kind of expression that you would expect from any controller regardless of its size. With the \"KORG KONTROL Editor\" (downloadable free of charge from korg.com), you can customize the nanoKEY to match your control needs. It lets you select between three velocity curves or fixed velocity, set MIDI CC values, and even allows you to edit the assignments for the minimum and maximum values of the control change messages transmitted by the modulation buttons or in CC MODE. As an added value, the nanoKEY includes a download code for the full version of Korg’s M1Le, which faithfully recreates the legendary Korg M1 workstation. Plus, an upgrade path will let you graduate to the Legacy DIGITAL EDITION software suite, which has an even more expansive version of the M1, the renowned WaveStation and 19 great MDEX effects.

Price:£39.99

The Korg NanoPAD USB powered slim-line controller is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software. The Korg nanoPAD, despite its small size, goes HUGE when it comes to functionality, yet its intuitive layout provide extremely easy operation for any user. The nanoPAD features 12 highly responsive trigger pads, also capable of sending both notes and MIDI control data, plus an X-Y pad with roll and flam functions giving you a unique interface for realistic drum programming. In addition, a new Chord Trigger function lets you enter chords onto a single pad, helping you to make the most of the work surface as you create. The pads are also able to transmit control change messages, making this a great interface for soloing or muting mixer tracks, turning objects on and off, or triggering clips during your live performances. Korg nanoPAD’s X-Y pad offers ‘Roll’ and ‘Flam’ modes, to help you lay down ultra-realistic drum grooves. The X-Y pad will also send MIDI CC (Control Change), making it a go-to interface for any parameter within your software that requires full range MIDI control such as pitch, cutoff, volume and beyond. With the \"KORG KONTROL Editor\" (downloadable free of charge from the Korg website) you can customize four scenes that address the pads and X-Y pad can be stored within nanoPAD to suit your control needs. That means you actually have access to 48 notes/chords, 60 MIDI controllers, or any combination of the two types of data at any given time. Also, select one of three velocity curves or a fixed velocity to tailor the nanoPAD to your touch.

Price:£49.99

The Korg NanoKONTROL is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software. Despite its small size, the Korg nano KONTROL goes HUGE when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user. The nanoKONTROL offers nine faders, nine knobs and 18 switches plus a full transport section for expansive control; plus it features a note input mode to help you lay down your next big groove! For each of the four programmable scenes the nanoKONTROL offers, you can set the controllers any way you need them. That means that you can transmit a total of 168 different MIDI CC (Control Change) messages, as well as MIDI notes with the switches. The six transport buttons can each transmit either MIDI CC messages or MMC messages to control functions such as: start, stop, loop, or record on your DAW software. Imagine taking full control of your software – transport, a full track’s worth of faders, pans and mutes - or how about precise dedicated control over the many parameters of software synths, samplers or virtual drum machines. It’s all possible with the nanoKONTROL. To add to the nanoKONTROL’s flexibility, an attack and decay time can be specified for the eighteen switches. This allows you to smoothly feed controller messages into parameters such as wet/dry levels for an effect, a filter for a synth, or a volume fader for that perfect fade. By using the \"KORG KONTROL Editor\" (downloadable free of charge from the Korg website) you can customize the nanoKONTROL to your fit your control needs. It offers full access to the entire control surface for each of the four available scenes. The nanoKONTROL includes a discount coupon for Ableton Live LE software. What’s more; a free downloadable Editor/Librarian will help you create setups to suit your specific control needs in all three models.

Price:£49.00

The Korg NanoKONTROL is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software. Despite its small size, the Korg nano KONTROL goes HUGE when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user. The nanoKONTROL offers nine faders, nine knobs and 18 switches plus a full transport section for expansive control; plus it features a note input mode to help you lay down your next big groove! For each of the four programmable scenes the nanoKONTROL offers, you can set the controllers any way you need them. That means that you can transmit a total of 168 different MIDI CC (Control Change) messages, as well as MIDI notes with the switches. The six transport buttons can each transmit either MIDI CC messages or MMC messages to control functions such as: start, stop, loop, or record on your DAW software. Imagine taking full control of your software – transport, a full track’s worth of faders, pans and mutes - or how about precise dedicated control over the many parameters of software synths, samplers or virtual drum machines. It’s all possible with the nanoKONTROL. To add to the nanoKONTROL’s flexibility, an attack and decay time can be specified for the eighteen switches. This allows you to smoothly feed controller messages into parameters such as wet/dry levels for an effect, a filter for a synth, or a volume fader for that perfect fade. By using the \"KORG KONTROL Editor\" (downloadable free of charge from the Korg website) you can customize the nanoKONTROL to your fit your control needs. It offers full access to the entire control surface for each of the four available scenes. The nanoKONTROL includes a discount coupon for Ableton Live LE software. What’s more; a free downloadable Editor/Librarian will help you create setups to suit your specific control needs in all three models.

Price:£49.99

The Korg microKORG XL Synthesizer and Vocoder lets you generate your own personal sound, packing a cutting-edge sound engine and powerful effects into a compact, vintage-like body. The Korg microKORG XL features Korg’s powerful RADIAS/R3 derived MMT Multi Modeling Technology, as well as a powered-up vocoder. The updated ROM includes PCM data for recreating in-demand vintage keyboards such as piano, electric piano, and clav. Externally, the microKORG XL boasts a completely new vintage design with a textured black body and industrial silver panel. The microKORG XL interface has also been enhanced, making it easier than ever to use. Sound selection is controlled by two large dials; three smaller knobs allow the main parameters to be easily selected. The newly-developed mini-keyboard is firm and responsive for even greater playability. And best of all, it’s battery-powered so you can take it anywhere and still enjoy serious sound. For beginners, advanced musicians and sound designers, this is a synthesizer that will stimulate your musical creativity.

Price:£339.00

The Korg nanoPAD USB powered slim-line controller is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software. The Korg nanoPAD, despite its small size, goes HUGE when it comes to functionality, yet its intuitive layout provide extremely easy operation for any user. The nanoPAD features 12 highly responsive trigger pads, also capable of sending both notes and MIDI control data, plus an X-Y pad with roll and flam functions giving you a unique interface for realistic drum programming. In addition, a new Chord Trigger function lets you enter chords onto a single pad, helping you to make the most of the work surface as you create. The pads are also able to transmit control change messages, making this a great interface for soloing or muting mixer tracks, turning objects on and off, or triggering clips during your live performances. Korg nanoPAD’s X-Y pad offers ‘Roll’ and ‘Flam’ modes, to help you lay down ultra-realistic drum grooves. The X-Y pad will also send MIDI CC (Control Change), making it a go-to interface for any parameter within your software that requires full range MIDI control such as pitch, cutoff, volume and beyond. With the \"KORG KONTROL Editor\" (downloadable free of charge from the Korg website) you can customize four scenes that address the pads and X-Y pad can be stored within nanoPAD to suit your control needs. That means you actually have access to 48 notes/chords, 60 MIDI controllers, or any combination of the two types of data at any given time. Also, select one of three velocity curves or a fixed velocity to tailor the nanoPAD to your touch.

Price:£49.99

The Korg nanoKEY is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software. Despite its small size, the Korg nanoKEY goes HUGE when it comes to functionality, yet its intuitive layout provides extremely easy operation for any user. The Korg Nano key features a great-feeling 25-key velocity-sensitive keyboard that’s ideal for song production. The keys can also be set to send MIDI control data, further expanding its power. When Korg set out to build a slim-line MIDI controller keyboard, they utilized their years of experience in manufacturing innovative MIDI keyboards to create a great-feeling, velocity sensitive keyboard based off a laptop keyboard. The resulting 25-note keyboard on the nanoKEY will transmit your playing dynamics to your software accurately and expressively. In CC (Control Change) MODE, the keys become MIDI controllers, allowing you to control any MIDI assignable parameters within your software. The Octave Shift function offers immediate access to the entire MIDI note range. Pitch and modulation buttons are also provided, giving your performances the kind of expression that you would expect from any controller regardless of its size. With the \"KORG KONTROL Editor\" (downloadable free of charge from korg.com), you can customize the nanoKEY to match your control needs. It lets you select between three velocity curves or fixed velocity, set MIDI CC values, and even allows you to edit the assignments for the minimum and maximum values of the control change messages transmitted by the modulation buttons or in CC MODE. As an added value, the nanoKEY includes a download code for the full version of Korg’s M1Le, which faithfully recreates the legendary Korg M1 workstation. Plus, an upgrade path will let you graduate to the Legacy DIGITAL EDITION software suite, which has an even more expansive version of the M1, the renowned WaveStation and 19 great MDEX effects.

Price:£39.99

The KORG microKORG XL Synthesizer And Vocoder, Beige is loved and used daily by musicians around the world – from keyboardists to guitarists – enabling everyone to experience the enjoyment of a great synthesizer.speaker output.

The KORG microKORG XL lets you generate your own personal sound, packing a cutting-edge sound engine and powerful effects into a compact, vintage-like body.

The updated ROM includes PCM data for recreating in-demand vintage keyboards such as piano, electric piano, and clav. Externally, the microKORG XL boasts a completely new vintage design with a textured black body and industrial silver panel.

The interface has also been enhanced, making it easier than ever to use. Sound selection is controlled by two large dials; three smaller knobs allow the main parameters to be easily selected. The newly-developed mini-keyboard is firm and responsive for even greater playability. And best of all, it’s battery-powered so you can take it anywhere and still enjoy serious sound. For beginners, advanced musicians and sound designers, this is a synthesizer that will stimulate your musical creativity.

You can use a USB cable to connect the microKORG XL to your computer, and use the free sound editing software to organize your sounds and edit all of the parameters from your computer. In addition to the editing software, you can also download and use converted programs from microKORG and the MS2000/MS2000B free of charge.

Price:£339.00

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