Price:£349.00

Price:£119.00

Price:£349.00 Special Price:£199.00

Price:£159.00

The Focusrite Saffire PRO 40 is a multi-channel firewire audio interface, attentively designed with today’s project studio in mind. Focusrite Saffire PRO 40 features eight award-winning Focusrite pre-amps. These ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains. Alongside the eight Focusrite pre-amps are a host of i/o options; 10 analogue outputs, ADAT i/o, stereo SPDIF i/o and 2 virtual ‘loopback’ inputs for routing digital audio between software applications - ideal for capturing online audio. Every channel features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel 5-LED metering for each analogue input offers accurate viewing of levels. Saffire PRO 40 comes with a Suite of Focusrite plug-ins. All-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins provide a significant upgrade from standard sequencer effects, bringing a touch of class to your session. Focusrite’s established xcite+ bundle is also included. The bundle includes Ableton Live Lite, Novation’s Bass Station soft synth and over 1 gig of royalty-free samples. Saffire PRO 40 Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40 features unparalleled output routing and monitoring, as well as intuitive one-click set-up solutions, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes. Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customisable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround.

Price:£399.00

Price:£1,999.00

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Price:£229.00

Price:£297.00

The theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. Like the Ethervox, the Etherwave is an authentic adaptation of inventor Leon Theremin's original design. The Etherwave is a quality theremin with a design that retains many characteristics of the original theremins, including a five-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3/8\" brass tube and cabinets are furniture-grade hardwood, finished black. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and is designed for use with a musical instrument amplifier such as the Moog TB-15. All Etherwaves in the ship with two video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa, and Mastering the Theremin, featuring Lydia Kavina.

Price:£349.00 Special Price:£299.00

Price:£119.00 Special Price:£99.00

The MINIAK is a powerful performance and production synthesizer. The MINIAK empowers creative musicians with phrase and step sequencing, a built-in drum machine rhythm sequencer, an arpeggiator, a 40-band vocoder, stereo effects, and a virtual analog synth engine developed in partnership with the world-class Alesis synth team. While the compact, portable synth shines on stage, the MINIAK is also at home in the production studio delivering 24-bit audio resolution. The MINIAK puts up to eight multi-timbral voices at your fingertips, each with three oscillators. You can create interesting and unique sounds and take advantage of the more-than-600 preset sounds and store up to 1,000 programs in the MINIAK. The synth also has two multi-mode filters, three envelope generators, two LFOs, stereo effects, and a 40-band vocoder. On top of all of this sound-melding power, the MINIAK has a comprehensive sequencer with step and dynamic real time phrase sequencing, a drum machine rhythm sequencer, and an arpeggiator to aid in creating the landscapes and textures you're after. Rounding out this complete instrument are high-resolution, 24-bit balanced 1/4 inch inputs and outputs. The MINIAK has a 37-key semi-weighted keyboard with velocity sensitivity for all-in-one performance. It can also be used as a sound source for MPCs, computer software, and keyboards via MIDI. UNDER THE HOOD A MINIAK program is a sound built from the MINIAK's internal oscillators, filters, and envelope generators. The MINIAK's more than 600 preset programs span the range of classic analog synthesis sounds. If you've heard it before, you will probably find it in the MINIAK's presets. In a synth, oscillators generate raw sound. Their output is fed into the filters, whose output is fed into the amplifiers. As the signal moves along that path, you can manipulate the mix at several points and apply modulations, envelopes, and effects to create a custom palette of sounds. SOUND GENERATION The oscillators can produce different waveform types and shapes to create various harmonic structures, which our ears perceive as different timbres. Here are some of the waveforms you can create with the MINIAK's oscillators: Sine Smooth, pure sound Triangle Fuller than a sine wave Sawtooth Harsh sonic character Pulse Harmonically rich, ranging from full-sounding square wave to a sharp impulse wave The MINIAK's oscillators can produce continuously variable waveforms, so it can can hit any point between these examples. You can connect external audio sources other synthesizers, mixers, guitars, and more using the 1/4 inch inputs. The jacks accept either balanced or unbalanced cables. You can mix in the external audio sources with the MINIAK's oscillators. The resulting combination is then sent through the MINIAK's filters and effects. A special group of programs including vocoder programs exists just for use with the external inputs. The outputs of the oscillators, the noise generator, the ring modulator, and the external inputs are fed into a virtual mixing board called the pre-filter mix. From here, the signal hits the filters. For each source, you can specify its level and its balance: how much is sent to Filter 1 and how much is sent to Filter 2. FILTERING The oscillators produce very raw sounds. To shape and fine-tune the sound, filters give you tools for dampening certain harmonics and boosting others. Filters alter the frequency content of the signal and can have a drastic effect on the sound. Each of the MINIAK's voices contains two filters, and each filter can be one of the following different types, each with its own character and sonic flavor. They are: Bypass, Low Pass: ob 2-pole, tb 3-pole, mg 4-pole, rp 4-pole, jp 4-pole, al 8-pole; Band Pass: ob 2-pole, al 6-pole, octave dual, band limit; High Pass: ob 2-pole, op 4-pole; three Vocal Formants, four Comb Filters, Phase Warp, Frequency, Resonance, Key Tracking, Envelope Amount, Offset, and Absolute. After filtering, the signal is fed to the post-filter mix. For each filter output, as well as a pre-filter signal of your choice, you can specify a level and a pan. OUTPUT PROCESSING In the output stage, the MINIAK allows you to apply a drive effect and add some compression, distortion, or other amplification effects. The MINIAK allows you to set up twelve modulation routes. Each of these is a virtual connection between some physical or internally generated source and some program parameter. Basically, a mod route tells the synth to automatically grab a knob and tweak it while a note is playing. Although there are quite a few sources that you can use for your mods, the most common ones involve the LFOs and the envelopes. LFOs LFO stands for low-frequency oscillator. LFOs are not designed to produce sound, but instead to tweak a program parameter according to a looping pattern. For example, if you are looking to add vibrato, you need the pitch to continuously waver up and down. Each of the MINIAK's voices contains two LFOs, each of which offers rate, depth, shape, and tempo sync. The MINIAK's LFO can sync to the internal clock or any external source via MIDI. ENVELOPES If you hit a note on a piano, you hear a burst of sound energy as the hammer strikes the string, followed by lower level of loudness as you hold down the note and let the string ring out, which fades quickly as soon as you release the note and the damper is applied. Synthesizers model this behavior using ADSR Envelopes. ADSR stands for Attack, Decay, Sustain, and Release, and represents the different stages that the sound goes through over the life of the note. The MINIAK also has an envelope that is specifically designed for loudness, called the Amp Envelope. Envelopes are useful in all sorts of mod routes, which is why you can hook up any of the MINIAK's envelopes to any modulatable program parameter. Each of the MINIAK's voices contains three envelopes: Amp Envelope, Filter Envelope, and Pitch/Modulation Envelope. SEQUENCING The MINIAK has extensive sequencing and arpeggiation performance capabilities. Arpeggios and sequences both respond to a key-press by playing a series of notes over a programmed rhythmic pattern. An arpeggio loops over whatever notes you are holding down on the keyboard. If you hold down a chord, the MINIAK will generate a melody by playing each note of your chord individually. A sequence has a melody line built in so you can hold down a single key and the MINIAK will play back that melody relative to that key. Pressing another key will transpose the sequence. The MINIAK has MPC-style step sequencing and recorder-style dynamic real time phrase sequencing. There's also a drum machine/rhythm sequencer for the built-in drum sounds. EFFECTS The MINIAK has a full complement of stereo effects including Chorus, Feedback, Theta Flanger (Phaser + Flanger), Thru Zero Flanger, Super Phaser, Notch Frequency, String Phaser, 40-Band Vocoder, Analysis Gain, Sibilance Boost, Band Shift, Synthesis Input, Analysis Signal In, Analysis Mix, six types of Delay, and three types of Reverbs. With the extensive sound generating and manipulating power of the MINIAK, the sounds you dream up are as easy to create as twisting a few knobs. And creating complete soundscapes with the sequencer and arpeggiator couldn't be easier. Step up to the only synth with the Akai Professional name… the MINIAK.

• Eight voices, each with three oscillators
• Up to eight multi-timbral parts with stereo effects and 40-band vocoder
• Two multi-mode filters, three envelope generators, two LFOs, sample and hold, tracking generator
• Dynamic real-time and step sequencers, arpeggiator, and drum machine/rhythm sequencer
• Stereo bus effects including reverbs and delays
• 24-bit 1/4" balanced stereo analog outputs and inputs
• 37-key synth-action keyboard with velocity sensitivity
• More than 600 preset sounds
• Sound banks: bass, lead, pad, string, brass, keys, comp, drum, SFX Includes
• MINIAK synthesizer keyboard
• VPM1 gooseneck microphone
• Power supply
• Quick start guide Synthesis: Virtual analog (subtractive), noise generator, FM Polyphony: Up to 8 voices Timbrality: Up to 8 parts Oscillators: 3 per voice with continuously variable waveshapes, sync, linear and exponential FM, Ring Mod, routable modulation matrix per voice Filters: 2 multi-mode resonating filters per voice with 16 filter types Modulation: 2 LFOs with multiple wave shapes, sample and hold, tracking generator, freely routable modulation matrix per voice Effects: 4 drive effects, 1 per part; master effects Sequencing: Step sequencer, arpeggiator, drum machine/rhythm sequencer, and phrase Program memory: Up to 1,000 Programs and multi-timbral Multis Velocity sensitive: Yes Keyboard: 37-key, semi-weighted External control: MIDI in/out/thru Inputs: 2 balanced 1/4" TRS, mic Outputs: 2 balanced 1/4" TRS, 1/4" TRS headphone Controls: Pitch wheel, two assignable Q-Link modulation wheels, X, Y, and Z parameter knobs, pattern play, phrase arpeggiator, latch arpeggiator, keyboard octave, tap tempo, program controls, data push-knob, config, store, master volume Pedal Inputs: Assignable expression pedal, sustain pedal Weight: 12.0 lbs Dimensions: 22.8" x 10.8" x 3.34" (L x W x H) Think Akai, and synths are probably the last thing that comes to mind. However, the MiniAK isn't Akai's first foray into synthesis by any means. In 1984, Akai released its AX range of analogue synths (AX80, AX73, AX60 and later the VX range) and although these synths came at a particularly tricky time for analogue synthesis with the advent of digital technology (and rule of the Yamaha DX7 in particular), they were nonetheless very capable. So it's good to know that Akai does have a solid synthesizer heritage at its foundation, as well as their thorough knowledge of sampling. Akai became part of the Numark group in 2004, alongside Numark and Alesis, so combining expertise from across these companies. The MiniAK is clearly a product of the partnership with the Alesis team as it is in fact a re-branded and improved Alesis Micron.
• AKAI PROFESSIONAL ANNOUNCES MINIAK SYNTHESIZER
• AKAI PRO MPD18 BRINGS MPC PAD CONTROL TO ANY SETUP
• AKAI PRO FURTHER EXPANDS MPK LINE WITH 88-KEY MODEL

Price:£229.00

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Price:£169.00

The BOSS BR-800 Digital Multi Track Recorder is a battery-powered studio to go. The sleek new design of the BOSS BR-800 is made possible by touch-sensor switches and SD-card recording media. Up to four tracks can be recorded simultaneously with eight tracks of simultaneous playback, plus an additional stereo track dedicated to the built-in rhythm generator. Whether you’re creating intricate, multi-layered songs or point-and-capture field recordings, the BR-800 makes the recording process fast and easy. The EZ Recording mode interactively guides you through the recording process. The convenient RETRY function, recues the BR800 automatically to fix mistakes, and SONG SKETCH recording allows instant, one-touch capture. There’s also a built-in stereo condenser microphone plus a DR-880-quality rhythm generator for adding drum and percussion tracks to your songs. Enhance your recordings with the powerful BOSS effects onboard the BR-800. Many of the effects are derived from BOSS’s flagship processors, including vocal effects from the VE-20, COSM guitar/bass effects from the GT-10 series, and modelled acoustic-guitar body effects from the AP-1 preamp, which imparts pro-quality mic'd-up sound and rich body tone to line-recorded acoustic guitar. You can power the BR-800 from the included AC adaptor, or, for ultimate mobility, it can be powered from six AA batteries. Record anywhere! The BR-800’s USB compatibility enables a variety of functionality with computers. Connected to a PC, the BR-800 will function as an USB audio interface for recordings that utilize the internal effects. The BR-800 can also function as a control surface for DAW software.

Price:£339.00

Price:£499.00

Price:£189.00

Price:£425.00 Special Price:£375.00

The Reflexion Filter is basically a portable device for recording live sound sources with reduced room ambience. It is an advanced composite wall which is positioned behind any microphone by means of a variable position stand clamp assembly which ships with the product. The main function is to help obtain a dry vocal or instrument recording. This is especially useful in studios without proper acoustic treatment, but can also be used to help record takes in control rooms, where the performer also has to operate the recording device, or in rehearsal studios to reduce ambient noise. The Technical Bit: The Reflexion Filter has 6 main layers. Firstly, a strong layer of punched Aluminium which allows sound waves to pass through it, diffused, to a layer of absorptive wool. The sound waves then hit a layer of Aluminium foil which helps dissipate energy and break up the lower frequency wave-forms, and from here they hit an air space kept open by rods passing through the various layers. The air gap acts as an acoustic barrier. The sound waves then pass to a further layer of wool and then through an outer, punched, Aluminium wall which further serve to absorb then diffuse the remaining acoustic energy. The main absorber has 4 formed pieces of state-of-the-art specialist acoustic absorptive material attached to its face via the extended separation rods, which further serve to absorb and then diffuse the sound waves as they pass to the main filter. The stand assembly comprises a mic stand clamp fitting, which attaches by means of a vertical joint to the horizontal bar assembly onto which both the Reflexion Filter, and any standard fitting shock mount can be fixed. The microphone (in its shock mount) can then be moved both vertically and horizontally along the bar, and the Reflexion Filter itself can be moved vertically to obtain the optimum working position. How does it work? The various layers both absorb and diffuse the sound waves hitting them, so progressively less of the original source acoustic energy passes through each layer. This reduces the amount of energy hitting un-treated walls and other surfaces so there is less of the original source reflected back as unwanted room ambience to the mic. The Reflexion Filter also helps prevent any reflected sound reaching the back and sides of the mic. Its shape and size have been carefully tested to maximize absorption while keeping coloration down to only around 1dB, and leaving the microphones polar pattern unaffected. In Summary: All in all, its a very clever and desirable piece of kit. It allows you to record vocals, guitars etc with a drier sound without having to have an acoustically treated room. Its portable. It uses state of the art materials. It works and its a fraction of the price of acoustically treating your studio environment!

Price:£229.00

Price:£125.00

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms . These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korgs classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer. Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. and you have performance that is unheard of from a synthesizer in this price range! Get a FREE Korg Monotron when purchasing this product before 24th December 2011

Price:£299.00

Price:£169.00

The next generation KRK Rokit RP5 G2 Active Monitors incorporate several technologies from the company's flagship lines, including sleeker curved edges that actually make them sound even better.

KRK Rokit RP5 G2 features refined voicing and a new curved baffle that effectively reduces diffraction providing even better monitoring accuracy. The enhanced design custom drivers and the superior tweeter wave guide provide optimal frequency pattern control and focuses the sound outward, away from the cabinet

Price:£124.50

The Korg microKORG XL Synthesizer and Vocoder lets you generate your own personal sound, packing a cutting-edge sound engine and powerful effects into a compact, vintage-like body. The Korg microKORG XL features Korg’s powerful RADIAS/R3 derived MMT Multi Modeling Technology, as well as a powered-up vocoder. The updated ROM includes PCM data for recreating in-demand vintage keyboards such as piano, electric piano, and clav. Externally, the microKORG XL boasts a completely new vintage design with a textured black body and industrial silver panel. The microKORG XL interface has also been enhanced, making it easier than ever to use. Sound selection is controlled by two large dials; three smaller knobs allow the main parameters to be easily selected. The newly-developed mini-keyboard is firm and responsive for even greater playability. And best of all, it’s battery-powered so you can take it anywhere and still enjoy serious sound. For beginners, advanced musicians and sound designers, this is a synthesizer that will stimulate your musical creativity.

Price:£339.00

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Price:£89.99

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Price:£549.00

The KORG MICROSAMPLER keyboard sampler that lets you enjoy easy-to-use full-featured sampling, a loop sequencer, and internal effects - all with an intuitive interface that has been designed for realtime performance. Korg's unique sampling method allows you to record, edit and map as you sample – directly from the keyboard.

The KORG MICROSAMPLER is designed for performance. In addition to triggering samples as on a conventional pad-type sampler, you can also play the samples at different pitches in a musical fashion, and even resample the result. The controllers you need for an exciting performance are laid out on the panel for intuitive operation. The status of the samples assigned to each key (and the item being edited) is indicated by the lit state of the LEDs running along the top of the keyboard, ensuring excellent visibility even on stage.

Both line input and mic input are provided to allow a broad range of input sources including electronic musical instruments, CD, and voice. A gooseneck microphone is included so you can sample on the go. To make it easy to sample from your portable audio player, a convenient caddy is located beside the mic jack.

The microSAMPLER can run on batteries, so you can perform on the go – or capture samples anywhere. In addition, there's a resampling function that lets you play existing layered samples processed by an effect and played by the loop sequencer – and capture it all as a new sample. Since you can even sample while playing, the sampling process itself can become part of your expressive performance.

Price:£249.00

Price:£169.00

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Price:£59.99

The ART X-Direct Active Direct Injection Box is a high quality interface that lets you connect instrument, line, or speaker level signals to a mixer or other balanced input. The high impedance single-ended 1/4” and XLR inputs are buffered and converted, by very low noise active electronics, into an isolated balanced low impedance signal source.

The ART XDirect has an extremely flat and wide frequency response and can handle high signal levels while still maintaining an isolated balanced low impedance output. This gives the Xdirect a very clean and neutral sound with a wide variety of signal sources and over long signal runs in high noise environments. The X-Direct active circuitry is powered by an internal 9volt battery, when external power is not available. In this mode it draws 3.5 ma which should give you more than 250 hours of operation off of a new battery. If phantom power is available, then the Xdirect will automatically draw its power from the external source.

The X-Direct is the obvious choice whenever you have to interface high impedance sources with a low noise balanced system.

Price:£29.99

The SE Electronics GM10 is an acoustic microphone that clamps to the body of the guitar to assure it’s always in the same position. The mic preamp is separated from the capsule so that you can position the capsule wherever you want, and the shock mount eliminates any mechanical sound produced by the guitar. The mic features a small gold sputtered mylar type capsule that produces a large diaphragm condenser mic sound but is small enough to remain unobtrusive while playing. The GM10 not only allows the user to perform freely while getting perfect takes, it also saves huge amounts of time in setting up takes, as the mic is permanently set in the correct position, so the user does not have to spend minutes before each take getting the ‘right sound’ again. The mic and assembly ship together in a Black Aluminium flight case.

Price:£326.55 Special Price:£249.00

Price:£79.99

Price:£39.99 Special Price:£34.99

Price:£569.00

The Korg Mini-KP is the newest and smallest member of the KAOSS PAD series. It offers the same interface and realtime fingertip effects as other KAOSS models, plus many features taken from the new KP3, along with a compact body and battery operation for shirt-pocket portability. The Mini-KP lets you control the effects entirely from the touch-pad in real time. Different effect parameters can be controlled simultaneously, and complex effect operations can now be performed easily and intuitively with one hand on the Mini-KP control surfaces.

Price:£124.99

The Z3300A is our most versatile FET microphone and utilises a large 1.07 twin diaphragm, which gives the engineer a choice of three polar patterns, omni, cardioid and figure of eight. Couple this with a 100Hz low cut filter and new ultra clean, ultra quiet Z range electronics and the Z3300A is the ultimate solid state microphone for almost all recording applications, from vocals, to pianos and acoustic instruments. Complete with shockmount and flightcase.

Price:£199.00

Price:£919.00

Price:£679.00

Price:£479.00

The sE Electronics sE 4400a is the latest in a lineage of microphones started 6 years ago with the sE 2200a. Based on the same capsule tuning, but with a dual capsule to give multi polar pattern function, this mic is a true all-rounder. The sE4400a has 4 polar patterns: Cardioid, Hypercardioid, Figure of 8 and Omni. The 4400 A has 2 bass cuts at 60Hz and 120Hz; 2 pads at 10 and 20dB. The chassis is small (very small), but still manages to house a twin diaphragm 1 inch capsule and all the top grade electronics and switches. This flat, round edged chassis design allow the mic to be used flat onto a drumhead or guitar cab, or pushed through into the skin of a kick drum. It is also perfect for sung vocals and voice over work, because although it’s the smallest microphone of it’s type, it still ‘looks’ big when used full face on. It is extremely thin at less than 3/4 inch and fits neatly in the palm of your hand. The sE4400a has a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting. Finally, the capsule has been specially tuned after almost 2 years of pre-market tests with professional studios and broadcasters, to really be something that very few mics can; the true all-rounder. Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines. The sE Electronics 4400a comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. The multi pattern sE4400a also comes with a full, steel re-enforced, black aluminium, signature sE flight case. Please note that this is a display item, display items usually have been used for display puroposes in our showroom and come with original box, packaging and full warranty.

Price:£469.00 Special Price:£349.00

The SE Electronics SE1000A Studio Microphone. Exceptional vocal and instrument microphone, at a great price. The SE Electronics SE1000A is sE’s entry level condenser mic for studio vocals and instrument recording. It has a 1/2 inch capsule tuned to accept low frequencies just like a larger diaphragm mic. Sister product (analogue only) to the USB1000a, the sE1000a performs well above its price point and looks the business! Flight case is not included, but can be bought separately. The mic ships with a built on shock cradle.

Price:£141.00 Special Price:£119.00

Price:£1,249.00 Special Price:£899.00

Price:£149.00