The amazingly expressive Boss SY-1 pedal is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup.
With the SY-1, it’s never been easier to infuse your creative arsenal with BOSS’s legendary guitar synth technology. This amazingly expressive tool is filled with 121 ultra-responsive sounds, all distilled down into a BOSS compact pedal that slides easily into any setup. Best of all, it’s as simple to use as a standard stompbox, so you don’t need any background in synth programming to bring a new world of sonic textures to your music.
Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.
The SY-1 transforms any guitar or bass into a versatile synthesizer that’s fun, inspiring, and ready to play. Backed by advanced tech first developed for the SY-300, this super-cool pedal delivers a huge selection of analog-style synth sounds while occupying minimal space on your board. What’s more, all the sounds are polyphonic, allowing you to play both single notes and chords.
The SY-1 can be used with any guitar or bass via a standard 1/4-inch cable, providing an easy, plug-and-play experience. Thanks to custom DSP and the latest BOSS innovations, the SY-1 offers latency-free performance that’s a natural extension of your instrument, letting you to play freely and organically without altering your normal technique in any way.
With its 11 categories and 121 total sounds, the SY-1 puts an enormous array of synth colors at your fingertips. Expressive leads, sweeping pads, layered organs, fat basses, and more are all on tap, plus a variety of rhythmic synth patterns that are a blast to jam with. And with the grab-and-go Tone/Rate and Depth knobs, you’re able to adjust any synth voice just how you like, including changing the pitch on some sounds.
As a standard BOSS compact, the SY-1 drops into a serial pedal chain like any other stomp. But with the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the SY-1’s synth voices. For example, you can patch drive pedals in the loop, and then send the combined output to mod, delay, and reverb pedals for overall processing. The send can be used as a direct out as well, enabling you to route synth and guitar sounds to separate destinations.
The SY-1 offers a numbers of ways to make your synth performances even more dynamic and expressive. Pressing and holding the pedal switch sustains the last-played synth sound, allowing you to jam with regular guitar over the top. You can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous Tone/Rate control.
• LEAD 1/2—A wide range of sounds suitable for single-note soloing.
• PAD—Full tones that work great with chords, from layered pads to synth brass and more.
• BASS—Fat synth bass sounds, including filtered and sub-octave tones.
• STR—Classic analog-style strings, including layered voices and sweeping textures.
• ORGAN—A large selection of organ sounds, including many with rotary-style modulation.
• BELL—Percussive synth sounds with metallic resonance.
• SFX 1/2—A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
• SEQ 1/2—Pulsating sounds with rhythmic pitch or filter changes.
Waza Craft pedals are completely redesigned by the original designers using the original circuits. Each pedal is optimized to its fullest potential. You have the tried and true Boss sound that you have come to expect with some added custom features not available on the original models.
Overdrive is literally what you get when a tube is pushed beyond its voltage limits causing a clip in the top of the waveforms resulting in a slight warm, fat and sometimes, sizzly tone. Overdrive pedals recreate that tone. The harder you strum, the angrier it sounds, so to speak. Distortion basically adds more clipping stages than overdrive and therefore has a more distorted tone. The more clipping stages added the more distorted the tone is. There is less definition with distortion as there are more overtones created because of the hard clipping.
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