With a fat, thick sound all its own and sleek, elegant style, the Player Jazzmaster stands out under the spotlight. When you need a guitar that will unlock your creativity and encourage you to play in new ways, reach for the Player Jazzmaster.
With a fat, thick sound all its own and sleek, elegant style, the Player Jazzmaster stands out under the spotlight. It’s an inspiring instrument with a flexible, authentic Fender tone—a voice that works with any kind of music. The Jazzmaster keeps turning up in the hands of musical visionaries and rebels; it’s the ideal foundation for your sound. Rugged, raw and powerful, this guitar is ready to throw down.
Respecting our heritage while maintaining our innovative spirit, the pair of Player Series humbucking pickups sound huge and warm—it’s authentic Fender tone with a modern edge. For even more tone-shaping we included a push/pull potentiometer to split the coils of the bridge pickup, unlocking authentic Fender single-coil sound. The “Modern C”-shaped maple neck’s comfortable contours and smooth finish are ideal for almost any playing style. By adding a 22nd medium jumbo fret to the contemporary 9.5”-radius fingerboard we’ve made it easier to express yourself musically. The six-saddle, vintage-style adjustable bridge sports a floating tremolo tailpiece and screw-in arm, perfect for adding an extra bit of personal expression to your sound.
Other features include master volume and tone controls, a 5-way pickup switch, 3-ply pickguard, synthetic bone nut, dual-wing string tree, sealed tuning machines and four-bolt “F”-stamped neck plate that marks this instrument as the real deal—as Fender as it gets.
When you need a guitar that will unlock your creativity and encourage you to play in new ways, reach for the Player Jazzmaster.
This is not the sort of 'action' that you get from the audience after the show when you're lead guitarist in an '80s rock band. It's much more exciting than that! Guitar 'action' describes the distance between the strings and the frets on a guitar. A lower action makes pressing down the string onto the frets a whole lot easier, but if it's too low your strings can buzz, rattle and lose their sustain (not "ring out"). If you have a high action, the strings are harder to press down but you get a much purer tone. Because nearly all guitars can be adjusted, you can usually find a happy medium between comfort and tone. If you need someone to fix the action on your guitar, just ask one of the Kenny's Music team.
Apart from making a big difference to how the guitar looks, different types of wood can feel and sound quite different when you're playing on them, and their differing feels can subtly affect the way you play.
Rosewood: Soft-feeling and warm-sounding, rosewood fretboards are popular for good reason.
Maple: Offering a brighter tone with more high end, Maple fretboards also wear over time which can be attractive if you want your axe to look lived-in.
Ebony: similar to maple in tone and sturdier than rosewood, ebony fretboards offer a darker-looking neck with a brighter tone.
Despite what nationalists might tell you, there's not really any simple answer. Even though many companies design their guitars in the USA or Europe, the vast majority of instruments are actually manufactured in China, Mexico, Indonesia, Japan and Korea. There aren't any 'rules' as to what country makes good or bad guitars, but rather which brands have tighter quality control.
Not really. Most electric guitars have between 21 and 24 frets which allows you to play pretty much everything you can imagine. 24 frets can be handy for easily playing exactly 2 octaves above the open string during a solo, but Jimi Hendrix, Dave Gilmour, Eric Clapton and John Mayer got by just fine with 21 frets!
Fender Player guitars are made in Mexico.
Surprisingly, it does. Wood type is not the only thing that affects the tone. The shape of the guitar can also influence the sound. As some shapes require the use of more wood than others, it can definitely give the tone a different texture. Some shapes will also work better if you are performing seated as opposed to standing. You also can't discount the importance of having the right "look" if that is what you are going for.
The price range of guitars can vary from less than £100 to prices too large to mention. The reason why the prices vary so much has a lot to do with the types of wood used, the craftsmanship of the instrument(customized or not), the quality of the hardware and the type of pickups used. Some guitars are made to be pieces of art for display while some are created for the everyday player or brand new learner to use as they see fit. There are good guitars at about every price range.
There are 3 main bridge types that you regularly find on electric guitars, Fixed or Hardtail, Tremolo, and then Floyd Rose. Fixed or Hardtail bridges have great tuning stability and are easily retuned or drop tuned without affecting the remaining strings. The main negative for this type of bridge is that you don't have the flexibility to change the pitch of a chord easily as you do with a Tremolo. For most guitarists this is not much of a problem and this tends to be the preferred bridge type. Tremolo bridges are usually set up as "floating" which means that if you push or pull on the tremolo bar you are able to change the pitch of the note or chord that you are playing. This type of bridge requires regular checking of tuning as the strings can get out of tune much easier on this bridge type. The Floyd Rose is the best known by the guitar shredding community. With this bridge you can dive bomb and lift squealing harmonics to the heavens by pushing or pulling on the tremolo bar. This bridge usually stays in tune very well no matter how dramatically you use it because there is a locking nut installed to help keep the guitar in tune. The difficulty comes when needing to change strings quickly or needing to change or drop tune. It all comes down to personal taste.
Overdrive is literally what you get when a tube is pushed beyond its voltage limits causing a clip in the top of the waveforms resulting in a slight warm, fat and sometimes, sizzly tone. Overdrive pedals recreate that tone. The harder you strum, the angrier it sounds, so to speak. Distortion basically adds more clipping stages than overdrive and therefore has a more distorted tone. The more clipping stages added the more distorted the tone is. There is less definition with distortion as there are more overtones created because of the hard clipping.
You will be given an estimated delivery date based on your location and selected shipping option during the checkout process. If next working day shipping is selected, orders of items that are in stock placed before 2pm weekdays will be dispatched same day, with weekend orders shipping Monday, all on a next working day service. If you need your item delivered on a specific day, you can leave a comment in the box at the checkout and we'll take it from there. Please note items shipping from our Aberdeen store may occasionally require a 2 day shipping service.
We know that sometimes making sure you're in for a delivery can be a pain, so you can specify a different shipping address at the checkout (just make sure your billing address matches your payment card!).
Our website clearly states the stock availability status of all items listed, and this status is dynamically updated throughout the day, meaning that as soon as something is sold in store or online the availability status is updated accordingly. This means you can buy with confidence knowing that your purchase is yours.
Applies to online & distance sales orders only: If you have simply changed your mind and wish to return your item, let us know within 14 days of delivery and we'll arrange the return and refund with you. All returns will need to be in the condition they were received and are subject to Kenny's Music returns policy.
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